The Masque of the Red Death audio debut at Words Out Loud

Words Out Loud is putting out a special podcast as part of the Melbourne Spoken Word Festival Online; the festival replaces the Melbourne Spoken Word and Poetry Festival, forced online by social distancing requirements in response to the COVID-19 pandemic. It runs 24 July to 9 August. The Words Out Loud podcast will go live on 30 July. This event will be the audio debut of ‘The Masque of the Red Death’.

‘The Masque of the Red Death’ is an arrangement of Edgar Allan Poe’s short story, originally published in 1842. This interactive composition rendition features spoken word performed by Jason Nahrung, with voice recording by Kirstyn McDermott, and music and sound design by Talie Helene. The work holds Poe’s story up as a prism for viewing the Covid-19 pandemic in 2020. Poe lived through tuberculosis and cholera pandemics, and he experienced great personal bereavements – his story shows us how little has changed, and how science is not as omnipotent as we perhaps thought; the masquerade ball echoes our dysfunctionally danced suppression strategy; issues of classism are as relevant today as they were in the nineteenth century; and the ebony clock chiming balefully stands as massive as the ICU ventilator in our collective anxiety.

Words Out Loud – Melbourne Spoken Word Festival edition

Words Out Loud is putting out a special podcast as part of the Melbourne Spoken Word Festival Online.

The festival replaces the Melbourne Spoken Word and Poetry Festival, forced online by social distancing requirements in response to the COVID-19 pandemic. It runs 24 July to 9 August.

The Words Out Loud podcast will go live on 30 July.

This event will be the audio debut of The Masque of the Red Death.

‘The Masque of the Red Death’ is an arrangement of Edgar Allan Poe’s short story, originally published in 1842. This interactive composition rendition features spoken word performed by Jason Nahrung, with voice recording by Kirstyn McDermott, and music and sound design by Talie Helene. The work holds Poe’s story up as a prism for viewing the Covid-19 pandemic in 2020. Poe lived through tuberculosis and cholera pandemics, and he experienced great personal bereavements – his story shows us how little has changed, and how science is not as omnipotent as we perhaps thought; the masquerade ball echoes our dysfunctionally danced suppression strategy; issues of classism are as relevant today as they were in the nineteenth century; and the ebony clock chiming balefully stands as massive as the ICU ventilator in our collective anxiety.

 

 

 

The Year’s Best Australian Fantasy and Horror Volume 4 Shipping Today!

The Year’s Best Australian Fantasy and Horror 2013

The fourth annual compilation; over 150,000 words of fiction from some of the genre’s best and most awarded writers, together with an annual genre overview and recommended reading list. This is both a book to be read and a valuable reference work. This volume collects twenty eight compelling stories from the finest antipodean writers of fantasy and horror.

The Year's Best Australian Fantasy and Horror 2013

The Year’s Best Australian Fantasy and Horror 2013

Edited by Liz Grzyb (fantasy) and Talie Helene (horror).

  • Lee Battersby – ‘Disciple of the Torrent’ Tales of Australia: Great Southern Land
  • Deborah Biancotti – ‘All the Lost Ones’ Exotic Gothic 5 Vol I
  • Trudi Canavan – ‘Camp Follower’ Fearsome Journeys
  • Robert Cook – ‘Glasskin’ Review of Australian Fiction Vol 5 #6
  • Rowena Cory Daniells – ‘The Ways of the Wyrding Women’ One Small Step
  • Terry Dowling – ‘The Sleepover’ Exotic Gothic 5 Vol II
  • Thoraiya Dyer – ‘After Hours’ Asymmetry
  • Marion Halligan – ‘A Castle in Toorak’ Griffith Review #42
  • Dmetri Kakmi – ‘The Boy by the Gate’ The New Gothic
  • David Kernot – ‘Harry’s Dead Poodle’ Cover of Darkness Magazine
  • Margo Lanagan – ‘Black Swan Event’ Griffith Review #42
  • S. G. Larner – ‘Poppies’ Aurealis #65
  • Martin Livings – ‘La Mort d’un Roturer’ This is How You Die
  • Kirstyn McDermott – ‘Caution: Contains Small Parts’ Caution: Contains Small Parts
  • Claire McKenna – ‘The Ninety Two’ Next
  • C.S. McMullen – ‘The Nest’ Nightmare Magazine
  • Juliet Marillier – ‘By Bone-Light’ Prickle Moon
  • David Thomas Moore – ‘Old Souls’ The Book of the Dead
  • Faith Mudge – ‘The Oblivion Box – Dreaming of Djinn
  • Ryan O’Neill – ‘Sticks and Stones’ The Great Unknown
  • Angela Rega – ‘Almost Beautiful’ Next
  • Tansy Rayner Roberts – ‘The Raven and Her Victory’ Where Thy Dark Eye Glances: Queering Edgar Allan Poe
  • Nicky Rowlands – ‘On the Wall’ Next
  • Carol Ryles – ‘The Silence of Clockwork’ Conflux 9 Convention Programme
  • Angela Slatter – ‘Flight’ Once Upon a Time: New Fairy Tales
  • Anna Tambour – ‘Bowfin Island’ Caledonia Dreamin’
  • Kaaron Warren – ‘Born and Bread’ Once Upon a Time: New Fairy Tales
  • Janeen Webb – ‘Hell is Where the Heart is’ Next
Title : The Year’s Best Australian Fantasy and Horror 2013 (Harcover)
Release Date : November 11, 2014
Label :
Catalog ref. : 978-1-921857-72-0
Format : Hardback Book
Title : The Year’s Best Australian Fantasy and Horror 2013 (Trade Paperback)
Release Date : November 11, 2014
Label :
Catalog ref. : 978-1-921857-73-7
Format : Softback Book